Page Suggestions: Christian Music, Secular Music, The Order of the Illuminati

I Sold My Soul To Rock and Rock and Mind Control

Rock Music and Occultism


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In "Hymn 43" the band Jethro Tull conveyed this message,

"We are our own saviors, and if Jesus saves, then He better save Himself" (Cream Metal, March 1986, p. 12). There is no limit as to the amount of blasphemous citations one can obtain from these songs.

In rock and roll as well as "heavy metal" music, there is a strong occult influence. Cyril Scott was an eminent composer during his lifetime. He was a student of the occult religion known as Theosophy and also interested in the potential of using music for the occult. Two of his books, The Influence of Music on History and Morals, and Music and Its Secret Influence Throughout the Ages, were received through inspiration of the spirit world by one of the Theosophic spirit guides (that also Madame Blavatsky, founder of the theosophical movement in pre revolutionary Russia). In the latter book, Scott tells us that, from his talks with this spirit, it: "takes a special interest in the evolution of Western music .... Indeed, he considers it advisable that students of occultism of all schools should more fully appreciate the great importance of music as a force in spiritual [occult] evolution, and to this end he has revealed much that has hither to not been revealed, and that cannot fail to prove of paramount interest to all music-lovers."

Scott himself is convinced that "the great Initiates [in the spirit world] have vast and imposing plans for the musical future" (p. 199). What is this plan?

It is to use music as an occult medium through which to develop altered states of consciousness, psychic abilities, and contact with the spirit world. Scott explains: "Music in the future is to be used to bring people into yet closer touch with the Devas [spirits]; they will be enabled to partake of the benefic [beneficial] influence of these beings while attending concerts at which by the appropriate type of sound they have been invoked .... The scientifically calculated music in question, however, will achieve the two-fold object of invoking the Devas and at the same time stimulating in the listeners those [psychic] faculties by means of which they will become aware of them and responsive to their [the spirits'] influence" (pp. 200-201).

Scott concludes his book by citing the words of his spirit guide:

"Today, as we enter this new Age, we seek, primarily through the medium of inspired music, to defuse the spirit of [occultic] unification and brotherhood, and thus quicken the (spiritual) vibration of this planet" (p. 204).

This genre of "inspired music" is now found in local record stores. Some "New Age" music is spiritistically inspired for specific occult goals. The "composers" of the New Age music claim it can foster meditation, help develop psychic power, alter consciousness, induce "astral" travel, and transform personality. Other contemporary rock musicians parallel these ideas.

Many of the big-time rock stars have been heavily involved not only in the occult but also in overt Satanism. Trying to describe his own "inspiration" process, [John] Lennon said:

"It's like being possessed: like a psychic or a medium..."

Of the Beatles, Yoko Ono has said, "They were like mediums. They weren't conscious of all they were saying, but it was coming through them..."

Marc Storace, a vocalist with the heavy-metal band Krokus, told Circus magazine:

"You can't describe it except to say it's like a mysterious energy that comes from the metaphysical plane and into my body. It's almost like being a medium..."

"Little Richard" had similar experiences and identified Satan as the source of his inspiration:

"I was directed and commanded by another power The power of darkness ... that a lot of people don't believe exists. The power of the devil. Satan."

Jim Morrison (of The Doors) called the spirits that at times possessed him "the Lords," and wrote a book of poetry about them. Folk rock artist Joni Mitchell's creativity came from her spirit guide 'Aft." So dependent was she upon 'Aft" that nothing could detain her when he "called."

The prevalence of such "spirits" among top rock stars seems to go beyond the realm of coincidence. Superstar Jimi Hendrix, called "rock's greatest guitarist" ... "believed he was possessed by some spirit," according to Alan Douglas. Hendrix's former girlfriend, Fayne Pridgon, has said:

"He used to always talk about some devil or something was in him, you know, and he didn't have any control over it, he didn't know what made him act the way he acted and what made him say the things he said, and songs ... just came out of him." (Dave Hunt, America: The Sorcerers New Apprentice, Eugene, OR: Harvest House, 1988, pp. 239-40).

Many other rock stars practice occultism, and their compositions describe their condition in terms of being possessed or in a trance. (Larson, Larson's Book of Rock, pp. 125-35, Hunt, America: The Sorcerers New Apprentice, pp. 245-246). It is now well known that a large number of musicians are discovering an interest in occultism, sorcery and sometimes even satanism. Some names of "black metal" groups have an association with the occult. For example, "Coven," "Dark Angel," "Demon," "Infernal Majesty," "Possessed," "Satan," "Cloven Hoof" and others. (Details for Men, July 1991, pp. 100-101).

Ozzy Osbourne noted,

"I never seem to know exactly what I'm gonna do next. I just like to do what the spirits make me do. That way, I always have someone or something to blame" (Faces, Nov. 1983 p. 24).


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